January 2018 – March 2018
The Impossibly Real Art of Peter Maier

Peter Maier has had a very interesting and unique career. A graduate of Pratt Institute, Maier was first involved in Fine Art in his freshman year as assistant to sculptor Robert Mallary for a work commissioned by architect Phillip Johnson for the New York State Pavilion at the 1964 New York World’s Fair — as well as being involved in Industrial Design.

Maier went on to enjoy a distinguished career as an Automobile Designer. Being one of the youngest ever to be hired by GM, Maier rose in the ranks to become Senior Designer for Cadillac, Pontiac and Chevrolet Motor Divisions, thereby becoming part of an elite group. Maier left the security of his position at GM in 1980—and although approached by other major automotive firms—embarked on a journey to pursue his passion as a Fine Artist on his own.

Working on hi-tech fabricated aluminum panels and utilizing a state-of-the-art waterborne paint, Maier developed a unique technique and multi-layering process that combines industrial paint technology with traditional brush work. This process, along with the experimental paint, gives the artwork a 3-dimensional effect which cannot be achieved or duplicated with traditional paint mediums. Referring to an ArtNews article by Barbara A. MacAdam, “The paintings appear to be impossibly real.”

pageheaderMay 2017 – October 2017
America’s love of Major League Baseball has been a constant since its birth 146 years ago.  NMIH’s new exhibit, Making America’s Pastime, and explored how the balls, bats, gloves, and uniforms of the MLB are made and how the MLB became a $9.5 billion industry.

In addition to seeing how baseball’s bats, balls, and gloves evolved over time, patrons learned about Bethlehem Steel’s impact on Major League Baseball and how the company’s wartime league wooed the likes of Babe Ruth and “Shoeless” Joe Jackson.

Sponsored by:



Lehigh Valley Iron Pigs
Joanne and Hank Barnette
Working Dog Press